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This presentation examines South Asian cinema's portrayal of India's Partition through a multidisciplinary lens, emphasizing cultural memory, gender representation, and trauma theory. It analyzes non-linear storytelling techniques and visual symbolism in films as archives for subaltern experiences. The focus includes three movies—'Earth,' 'Pinjar,' and 'Khamosh Pani'—to highlight themes of betrayal, agency, and resistance against extremism. Rooted in feminist film theory and postcolonial...