Tattooing in Owen Jones, Grammar of Ornament (1853):

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This coursework examines the intersection of race and architecture, exploring racial influences on design from historical contexts to modernism. It discusses 19th-century racialized architectural styles, Owen Jones' contributions, and concepts of racial diffusion in design. The material critiques the sublimation of racial ideas in modernism, addressing imperialist and Eurocentric narratives. It provides a comprehensive analysis of race's role in shaping architectural history and modernity.